Hi I’m Tashnuva Anan

(She/Her/Hers)

I’m a Bangladeshi-American actress, activist, and writer; a storyteller and dreamer; and the first openly transgender news anchor in Bangladesh. With a background in public health and social science, I use art, advocacy, and movement to challenge silence. My work explores themes of gender, resilience, and visibility, centering the lived experiences of LGBTQIA+ and immigrant communities.

News Anchor

I’m openly transgender news anchor in Bangladesh.

With a background in public health and social science, As a journalist, I bring empathy and integrity to the newsroom, committed to reporting that uplifts marginalized voices and builds bridges across difference. Whether on stage, on screen, or in community spaces, my work centers themes of gender, resilience, and visibility especially within LGBTQIA+ and immigrant communities.

Selected Modeling

I’m the first Bangladeshi trans-woman to walk on the NY Fashion Week runway.

Displayed the works of designer Oscar Gonzalez Montañez during my debut ramp walk. In 2022, I made history as the first openly transgender model from Bangladesh to debut at New York Fashion Week an unforgettable moment of visibility, pride, and resistance. Walking the runway wasn’t just about fashion; it was about reclaiming space in an industry that too often erases voices like mine. Draped in the weight of both heritage and hope, I carried with me the stories of those who never got the chance. My debut at NYFW was more than a personal milestone it was a tribute to every trans person daring to dream beyond borders, binaries, and barriers.

Selected Theater

My Off-Broadway debut came with Public Obscenities, a bilingual play written and directed by Shayok Misha Chowdhury, where I had the honor of originating a groundbreaking role that reflected both my cultural roots and lived experience. Performed in Bangla and English, the production explored themes of identity, language, queerness, and memory echoing deeply personal truths that I carried to the stage each night. As an openly transgender Bangladeshi performer, stepping into this role was not just a career milestone but a powerful act of artistic resistance and visibility. Public Obscenities wasn’t just a performance it was a homecoming, a conversation across borders, and a celebration of queer South Asian narratives in spaces where we’ve long been invisible.

Performed in Bangla and English, the production explored themes of identity, language, queerness, and memory echoing deeply personal truths that I carried to the stage each night. As an openly transgender Bangladeshi performer, stepping into this role was not just a career milestone but a powerful act of artistic resistance and visibility. Public Obscenities wasn’t just a performance it was a homecoming, a conversation across borders, and a celebration of queer South Asian narratives in spaces where we’ve long been invisible.

Selected Film

I made my groundbreaking film debut in Bangladesh with the mainstream feature Koshai, directed by Anonno Mamun. As the first openly transgender actress to star in a major Bangladeshi film, this role marked a historic moment not only in my personal journey but also in the evolution of South Asian cinema. Koshai challenged societal norms and opened up space for marginalized narratives to be seen and heard on the big screen. Being part of this project was more than just acting it was a statement of visibility, resilience, and hope for future generations of queer and trans artists.

Selected Short Film

WHO KILLED TANIYA! ‧ Thriller/Mystery

I’m honored to star in the upcoming short film “Who Killed Taniya?”, directed by the visionary Rasel Ahmed. This U.S. based project is a powerful exploration of identity, resistance, and the brutal silencing of marginalized voices centered around the mysterious death of a drag queen named Taniya. Through this film, we confront the intersections of gender, migration, and systemic violence with raw honesty and poetic imagery. It’s a story that feels urgent and deeply personal, and I’m proud to bring Taniya’s spirit to life as a tribute to all those whose truths remain unheard.

Writer

“Parikh” [Lover] by Tashnuva Anan

Parikh meaning “lover” is not just the title of my first book of poetry, it is the soul of every breath I’ve ever dared to take in defiance of silence. This collection is a quiet scream, a soft resistance, and a sacred celebration of longing, identity, and survival.
Born from the margins and written in moments of solitude, Parikh holds stories I never thought I’d be brave enough to share. These are not just poems; they are fragments of memory, exile, ache, and desire woven in the language of a Bangladeshi trans woman who has witnessed the world’s harshness and still believes in the tenderness of love.

Writing Parikh was an act of reclaiming voice. It emerged while I was caught between countries, languages, and selves navigating the fluid borders between womanhood and belonging, body and spirit, visibility and erasure. Every line bears witness to the cost of being true to oneself and the fragile joy of finding resonance in words.

This book is for those who have been denied the right to name their pain. It is for the broken-hearted, the hopeful, the outcast, and the dreamer. It is for anyone who has ever loved in a world that said they shouldn’t.

Parikh is not just a book. It is a beginning a mirror, a wound, and a home.

Upcoming Books
  • Roshni – Fiction.
  • Rongmohol- Autobiography

Remarkable Dance Performance

Performance: “Parikh” [Lover]

Dance Department for an evening of poetry and performance.

Parikh [Lover] is a deeply personal performance I conceived and performed on March 13, 2024, at Williams College. Rooted in my debut poetry collection of the same name, published in February 2024, this piece is an exploration of queer love, longing, and loss the kind that lives both within language and beyond it.
Through poetry, movement, and voice, I invite the audience into the emotional terrain of desire, heartbreak, and memory. Parikh is performed in Bengali, with English translations, allowing the lyrical essence of my mother tongue to carry the depth of feeling while bridging audiences across cultures.
This performance is more than a reading it’s a ritual of reclamation. Every word and gesture comes from lived experience, shaped by a body that has known both
rejection and radical love. Through Parikh, I hold space for the silences we carry and the truths we dare to speak.

AnanTranslations: Munjulika R. Tarah

Choreography: Kazi Raihan & Tashnuva Anan
Costume Conceptualization: Kazi Raihan
Music Editing: Golam Morshed

Rights Activist

My activism is deeply rooted in the lived realities of transgender and other marginalized communities in Bangladesh, while also extending to global advocacy platforms. Over the years, I have worked to challenge systemic violence, social stigma, and institutional exclusion through a blend of grassroots engagement, mental health advocacy, and creative storytelling. As the Chair of the Trans Steering Committee, I’ve had the opportunity to shape international dialogues on trans rights, centering the voices of those too often pushed to the margins. From the streets of Dhaka to global stages, I remain committed to fighting for justice, dignity, and equity for trans people, sex workers, and other historically oppressed communities across South Asia and beyond.

When the world unites on a common ground to help the poor and the needy, minorities and vulnerable groups of the society are somehow left out of the discussion. And this is what hit me very hard.

And so, members of the cultural society i belongs to arranged for community-based welfare programmes for the poor and the needy during Covid-19, and I had been actively involved with the social work.

Awards

Top Categories

Best Bangladeshi News Presenter in North America

Manusher Jonno Foundation

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